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Showing posts with label bibhu mohapatra. Show all posts
Showing posts with label bibhu mohapatra. Show all posts

Thursday, September 29, 2016

Bibhu Mohapatra Spring 2017 - Parisian Art

bibhu mohapatra ss17
bibhu mohapatra spring 2017
The romance of France was on the mind of many designers for Spring 2017. Bibhu Mohapatra looked to Paris during the Belle Epoque era post WWI. It was a time of artists and exoticism that inspired many creatives of today.

Vintage silhouettes of long skirts and peplums were prominent in the daywear looks. Longer gowns had asymmetrical tailoring and sexy leg slits. The sleeve was puffed with feminine charm. Artists like Matisse were referenced in prints that looked like collages of multicolor papercuts. 

Delicate, sparkling embroidery combined small jewels and pearls on bodices and all over skirts. Long ostrich feathers were also embroidered for a very light fringe effect. Frothy tulle dresses also mirrored joyful birds. In fact, most of the looks listed in the run of show program were name after different breeds of birds. 

Models were styled with elegant French coquette waves. Others wore big sunglasses with brightly colored frames. I liked to think these were symbolic for Mohapatra's sunny outlook for the upcoming year. He experienced loss in the past year and his more somber collections of 2015 and early 2016 reflected that. 

I loved to see Bibhu Mohapatra looking humble and joyous now on the Spring 2017 runway. 
designer bibhu mohapatra
photos by Mariana Leung
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Sunday, August 9, 2015

Bibhu Mohapatra's Fall 2015 From the Heart

red sequin feather dress
bibhu mohapatra nyfw

Designers are inspired by many muses, but can clothing come from the heart like other artists? Bibhu Mohapatra presented an emotional collection for fall 2015. Originally, there were pretty motifs of flowers. An early inspiration came from the revolutionary and paramour to many creative souls, Maud Gonne. (She was famed as a lover of William Butler Yeats, Auguste Rodin and Camille Claudel). 

yeats lover Sadly, while working on this collection, Mohapatra lost his father, and his mourning became a part of his designer's process. The color palette was more restrained. White and black became dominant as white is a mourning color of Asian cultures, black the color of mourning for Western cultures. He took some time off to grieve in India, and he added hues from his home country like turmeric yellow, earthy red and indigo blue. Instead of flowers, the art turned to brush stroke patterns in the prints and embroideries with a touch of feathers.

I truly stretched out on a limb to shoot this show. The photographer's risers were so crowded that the only angle I could get access to was to balance myself on two opposing railings and hope not to dive face down onto other shooters. It was absolutely worth the effort.

The long silhouettes were beautiful. There were furs, refined day dresses and the sweeping gowns Bibhu Mohapatra is known for. You could see the mood was more restrained, more serious, but lovely. I'm so sorry for his loss, but I am gratified that he was able to share his emotions through his work.

photos by Mariana Leung
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Monday, September 15, 2014

#NYFW: Bibhu Mohapatra Spring 2015

bibhu mohapatra ss15
bibhu mohapatra spring 2015
Bibhu Mohapatra’s spring 2015 collection was a tribute to heiress and activist Nancy Cunard.  In addition to socializing with literary and artistic greats like Ezra Pound, Ernest Hemingway and Man Ray, she was an accomplished publisher on her own.  She led the fight against racism and fascism as the new purpose in her life after falling in love with jazz musician Henry Crowder.

While the rebellious spirit of the socialite was a muse for the designer, the aesthetics of the inspiration are a little more subtle.  There were some 1920’s and 1930’s silhouettes.  The turban styled hair, the bias pleat evening gowns had the glamour of madcap heiresses of old Hollywood movies.  The oversized beaded flower motifs paired with pale pink satin reminded me of Paul Poiret in the decade before that.

The color palette was stark, with black, ivory, pale blue and orange when it was mixed with a geometric pattern.  This wicker basket-like print was interpreted in different scales and distorted across luxury fabrics.   The softer rose and red colors were reserved for the embroidered styles.

I don’t know why we don’t see his gowns on the red carpet during awards season.  They are so beautiful and elegant.  Each collection has an artistic edge to them that many other collections just don’t achieve.

Bibhu Mohapatra’s star has risen quickly in recent seasons.  Unfortunately, he seems to have attracted unwanted attention too.  Many photographers were offended when they were thoroughly searched by security before being allowed to shoot this show.  We were told by guards that the designer felt threatened.  

Credentialed photographers have to send in their body of work and assignments in order to be approved.  They have to show official forms of identification in order to pick up their credentials, all of which have a photo and full name.  Most have been photographing fashion week for years.  However, all sorts of random guests who only need a barcode to gain entry to the show, with no identification checked or required, carrying large handbags were all let into the venue without a second glance. 

bibhu fashion
Now, unless someone received a specific tip that a credentialed photographer was the threat, why would you treat them like criminals yet let all the strangers and random “fans” into the fashion show?  Of course, the fashion show guests are generally better heeled (they don’t have to stand for 14 hours with 50 lbs. of equipment on their shoulder).  They also have designer labels on their bags as opposed to bags that carry professional gear.  This was clearly a case of class/style discrimination.  If you were a stalker who meant harm, which route would YOU take?  Easy, random, unchecked guest ticket that you could buy on Craigslist, or spend years building up credentials to be a photographer?  Also, will 99% of the world see your work from photographs or in person at the show?  Do you really want to offend those who take and distribute those photographs? 

Just a thought for the Bibhu Mohapatra PR team...
show photos by Mariana Leung
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Friday, February 15, 2013

NY FASHION WEEK: Bibhu Mohapatra Fall 2013


Multi-award winning designer Bibhu Mohapatra drew from the 1930's for his Fall 2013 collection at Mercedes-Benz Fashion week.  He took his black, white and grey palette from muses Kiki de Montparnasse and Lee Miller as photographed by Man Ray.

The structure and deconstruction of the Bauhaus and Dada movements of that era were represented in the constructed, architectural style lines of jackets and dresses.  This was contrasted with the slowing metallic silks and velvets, putting the "silver" in silver screen beauty.  

I loved the silhouettes of this time in fashion, especially as depicted by Hollywood.  It was also refreshing to see one designer who wasn't inspired by Russian royalty this season.  Bibhu, yet again, has created a beautiful collection with a clear, artistic theme that celebrates women intelligently.

photos by Kevin Sturman
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Thursday, February 16, 2012

NY FASHION WEEK: Bibhu Mohapatra Fall 2012



Dreamy goldfishes floating down the runway.  At least that's how my father, the photographer described this show.  Bibhu Mohapatra has been on a stellar rise in recent years.  He is winning awards left and right, working along side of Prabal Garung and Waris Ahlwallia at the Fashion Incubator.   

His elegant evening gowns had a bit of 1930's silhouettes, fishtail hems and ombre colors.  Embellishments were strategically laid out to be the most flattering on (real) women's bodies.  The inspiration for this collection was Chinese opera, like the legendary tale of the white haired lady.  
photos by David TW Leung
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Thursday, February 17, 2011

NY Fashion Week: Bibhu Mohapatra Fall 2011

The fashion elite literally kissed designer  Bibhu Mohapatra at his Fall 2011 presentation at the Box at Lincoln Center.  Styled by Vogue's Lauren Santo Domingo, the collection was one of the standouts for Mercedes-Benz Fashion Week. It was well edited and beautifully presented like a Vogue magazine editorial, the models were elegant, chic and edgy at the same time. 

Ladylike black leather gloves were covered with glittering bracelets from Dannigo and edged with black feathers on the models.  They looked every inch the lady but with a definte dark edge.  There was a gorgeous fluted column dress, shirred chiffon column dresses, architecturally folded bodices punctuated occasionally by a piece with flat rivets, each piece had a specific direction. 


There were a few standout jackets cut extremely well and flattering to the body.

Bibhu’s collection was based on the ‘sinister glamour of nature, at once frightening and very tempting…”
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Friday, January 14, 2011

Ecco Domani Fashion Designer Award Winners Announced



Good wine and fashion...A well known combination.  Winemaker Ecco Domani started a fashion foundation several years ago to award grants to up-and-coming designers in the industry.  They have a good eye, as past winners included Prabal Gurung, Alexander Wang and Rodarte.  

This year, they announced winners Pamela Love for accessories and Kyle Fitzgibbons of Native Son for menswear.  For womenswear, Mandy Coon, M. Patmos, Nikki Dekker of The Lake & Stars and friend of Ms. Fab, Bibhu Mohapatra took home honors.  Tara St. James won the award for sustainable design for her label Study NY.  

Each of the designers will receive $25 000 towards the costs of presenting at NY fashion week.  Congratulations!!! You have all earned it!

Are you a designer and think you're due?  Apply for next year's grant here.
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Wednesday, September 15, 2010

NY FASHION WEEK: Bibhu Mohapatra Spring 2011



All hail ladylike dressing.  I am really happy to see that several designers have brought grace back to New York.  Bibhu Mohapatra's spring collection had a variety of elegant silhouettes that brought you back to classic Hollywood.  Long gowns and short day dresses had fabric or embroidered treatments. The more restrained textural fabric appliqués blurred the line between day and evening.  The brush-stroke prints gave an artistic look to garments and was appropriate to the gallery box setting.

Over-sized 1960's sunglasses and retro-hats added to the vintage Hollywood feel that much more.  Black and nude heels finished off a sophisticated ensemble.
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