I attended a screening of stylish new documentary, “Scatter My Ashes at Bergdorf’s” last night. I wasn't sure how much I would enjoy a movie about a store at first, but quickly
came around.
Every woman in New York or visited the city who loves
fashion aspires to shop at Bergdorf Goodman.
As a fashion designer at Parsons School of Design, every student aspired
to be sold at the luxury department store.
What I loved about this movie was that it did indeed interview designers
who are sold (or were rejected) from the store and their own story of what
Bergdorf’s meant to them. Parsons alumni
Marc Jacob and Jason Wu were featured as were the European designers’ stories
of coming to their ideal of American prestige.
My personal memories are of writing "shopping reports" in school to sketch and note the trends we saw in the store. Later, as a design assistant, I would have to buy (and often return) pieces that would be used as inspiration. When I worked on 57th street, I would pop in for an escape during my dreary day of plebeian apparel to look at something glamorous. I may not have been able to drop a few thousand dollars on a single clothing item, but would indulge with some cosmetics or treats so I could walk away with my pale purple bag...
My personal memories are of writing "shopping reports" in school to sketch and note the trends we saw in the store. Later, as a design assistant, I would have to buy (and often return) pieces that would be used as inspiration. When I worked on 57th street, I would pop in for an escape during my dreary day of plebeian apparel to look at something glamorous. I may not have been able to drop a few thousand dollars on a single clothing item, but would indulge with some cosmetics or treats so I could walk away with my pale purple bag...
The person that every designer needed to impress is Linda
Fargo. The power she holds in the
livelihood of a fashion designer’s career is often compared to Vogue editor
Anna Wintour. However, the film makes a
point of showing Linda’s warm smile and her approachability. Ally Hilfiger and Nari Manivong were showing
them their new collection in hopes of being carried by the store. While Linda decided not to pick the label up,
she gave encouragement and constructive advice.
Whether any new designer would receive this level of attention (if they
were not the offspring of Tommy Hilfiger, and cameras were not recording the
event) is doubtful, it gives some insight into the process.
The eye candy segment of the movie came in the form the
2011 holiday windows. I remember gazing
at these windows at night and losing myself in the glamour and art. The documentary followed creative director
David Hoey’s process of bringing luxurious fantasies to life. One got to see the workshop, the sketches and
the artisans who painstakingly created props by hand to accompany the fashion
in his vision. I always love seeing the
process of creativity. See close up
detail of what went into the windows was a treat.
Celebrities like Joan Rivers and Candice Bergen recalled
their shopping experience. Superstar
personal shopper Betty Halbreich discussed her
sales techniques, though when asked what she would be doing if she didn’t work
at Bergdorf’s she comically replied “drinking”.
Clips from Sex and the City, old Woody Allen movies and
vintage Barbra Streisand woven into the film showed how much the luxury
retailer has inspired generations of style for fashion. With any luck, it will be a place my future
generations will enjoy too.
cartoon by Victoria Roberts for the New Yorker, photos from.bergdorf-movie.com and butterflydiary.com
